Art, Social Space and Public Discourse in Iran is the first sequence of programming from an unprecedented three-year initiative on Iranian art that investigates the multiple contexts that shift and define changing ideas of Iranian public space. This ongoing critical framework of conversations, newly issued art projects, and exploration of various cultural productions and intellectual traditions looks at recent transformations of Iranian civic life. This overall project, envisioned and directed by artist Ala Ebtekar, asks what may constitute the architecture, images, and people that shape multiple notions of a “public” Iran.
The first three-day symposium includes talks, panels, newly issued art projects, and lecture performances. The opening ceremony will take place at the Asian Art Museum in San Francisco on November 3rd with a live-stream from Tomorrow, a traditional coffeehouse in Tehran, Iran. The symposium site shifts to Stanford University on November 4th & 5th continuing the momentum with a series of talks, panels, and additional performances. Simultaneously during the main symposia, there will be auxiliary events and commissioned public artworks across the Stanford campus and larger San Francisco.
Core panels will generate discussion among local and internationally based scholars, and renowned urban artists GhalamDAR, Mehdi Ghadyanloo, and art collective Slavs and Tatars on the socio-political textures of Iranian public space and the widespread history of public engagement in Iran. In addition, project artists will produce new work in direct collaboration with Stanford students across several departments.
In conjunction with the project opening, the Fall 2016 Stanford course Public Space in Iran: Murals, Graffiti, Performance will be offered on Thursdays from 3-4:30pm taught by Ebtekar. This studio practicum will parallel themes of the symposia to explore the traditions of artistic engagement in Iranian public space. The course offers a detailed survey of Iran’s visual culture and contemporary art practices through the investigation of public art strategies and recent cultural expression, in addition to older traditions of performing arts.
This multi-site framework across the Stanford community, Bay Area locations, remote partners, online allies, and anchored through multidisciplinary presenters on the symposia panels will facilitate discussions and questions to hopefully be explored over the next three years.